Back from the Far Field: American Nature Poetry in the Late Twentieth Century (Under the Sign of Nature: Explorations in Environmental Humanities) ISBN-13: 9780813919539

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Back from the Far Field: American Nature Poetry in the Late Twentieth Century (Under the Sign of Nature: Explorations in Environmental Humanities) ISBN-13: 9780813919539 | 9780813919539, Bernard W., Book, Quetchenbach, University of Virginia Press | ISBN-10: 0813919533

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ISBN-13: 9780813919539

Binding: Hardcover

Author: Quetchenbach, Bernard W.

Details: Review Richly informed with wide reading, Quetchenbachs study is a remarkably deft and detailed addition to ecocritical scholarship. His attention to craft as well as cultural context provides much-needed consideration of the role of aesthetics in poetry about the natural world. (Elizabeth Dodd, Kansas State University) Product Description Many poets writing after World War II have found the individual focus of contemporary poetics poorly suited to making statements directed at public issues and public ethics. The desire to invest such individualized poetry with greater cultural authority presented difficulties for Vietnam-protest poets, for example, and it has been a particular challenge for nature writers in the Thoreau tradition who have attempted to serve as advocates for the natural world.Examining the implications of this dilemma, Bernard W. Quetchenbach locates the poets Robert Bly, Gary Snyder, and Wendell Berry within two traditions: the American nature-writing tradition, and the newer tradition of contemporary poetics. He compares the work of two other twentieth-century poets, Robinson Jeffers and Theodore Roethke, to illustrate how the “contemporary shift” toward a poetics focused on the poets life has affected portrayals of nature and the “public voice” in poetry. Turning back to the work of Bly, Snyder, and Berry, Quetchenbach assesses their attempts to reinvent the public voice in the context of contemporary poetics and what effect these attempts have had on their work. He argues that these poets have learned from their postwar generation techniques for adapting a personalized poetics to environmental advocacy. In addition to modifying what critics have called the “poetics of immediacy,” these poets have augmented their poetic output with prose and identified themselves with long-standing traditions of poetic, ethical, and spiritual authority.In doing so, Bly, Snyder, and Berry have attempted to solve not only a problem inherent in contemporary poetics but also the larger problem of the role of the poet in a society that does not recognize poetry. While it would be an overstatement to suggest that these three figures have found a place for the poet in American life, they have reached audiences that extend beyond traditional readers of poetry.At the end of the twentieth century, Quetchenbach concludes, poets have begun to identify, and direct their writing to, specific audiences defined less by aesthetic preferences and more by a shared interest in and dedication to the works subject matter. Whether revealing a disturbing trend for poetry or an encouraging one for environmentalism and other political causes, it is one of many provocative conclusions Quetchenbach draws from his examination of postwar nature poetry. Review Richly informed with wide reading, Quetchenbachs study is a remarkably deft and detailed addition to ecocritical scholarship. His attention to craft as well as cultural context provides much-needed consideration of the role of aesthetics in poetry about the natural world. –Elizabeth Dodd, Kansas State University Review “Richly informed with wide reading, Quetchenbachs study is a remarkably deft and detailed addition to ecocritical scholarship. His attention to craft as well as cultural context provides much-needed consideration of the role of aesthetics in poetry about the natural world. “―Elizabeth Dodd, Kansas State University Book Description Richly informed with wide reading, Quetchenbachs study is a remarkably deft and detailed addition to ecocritical scholarship. His attention to craft as well as cultural context provides much-needed consideration of the role of aesthetics in poetry about the natural world. About the Author Bernard W. Quetchenbach is Assistant Professor of English at Florida Southern College.

Release Date: 29-05-2000

Package Dimensions: 9.4 x 6.0 x 0.7 inches

Languages: English

Number Of Pages: 189

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Back from the Far Field: American Nature Poetry in the Late Twentieth Century (Under the Sign of Nature: Explorations in Environmental Humanities) ISBN-13: 9780813919539
Back from the Far Field: American Nature Poetry in the Late Twentieth Century (Under the Sign of Nature: Explorations in Environmental Humanities) ISBN-13: 9780813919539
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