Race and Sex across the French Atlantic: The Color of Black in Literary, Philosophical and Theater Discourse ISBN-13: 9780739141144

ISBN-13: 9780739141144

Binding: Hardcover

Author: Ekotto, Frieda

Release Date: 27-12-2010

Languages: English

Part Number: 13291033

Features:

• Used Book in Good Condition

Number Of Pages: 136

Package Dimensions: 9.1 x 6.0 x 0.7 inches

Details: Product Description

Jean Genets masterpiece Les Nègres was first published in 1958, in the midst of the Algerian war, and first performed at the Théâtre de Lutèce in Paris in October 1959. Yet even though the play is more than 50 years old, it remains a fundamental contribution to critical race theory, as Genet unequivocally posits that no matter what a black person does or doesnt do, simply to be black in our times is itself a tragedy.
Placing Genet in the context of Negritude movement, Race and Sex across the French Atlantic equally reveals and examines blackness within the African-American dialogue with a white French authors provocative questions about race: “Is a black man always black?” and even more fundamentally, “What is blackness?” Within this framework, to question “blackness,” therefore, is to set out on an ontological quest, as “blackness” has become a real, living thing in its own right within European ideology, social theory, and historical consciousness, even as Les Nègres has taken its place as a major text in the francophone and philosophical tradition of writing on race.

In essence, this book concentrates on the way in which language-particularly the French language-has shaped ideas about race within transatlantic discourses, and, with its companion, continental philosophy, has also shaped the historical understanding of discourse on race. It navigates between multiple readings of race within the French Atlantic using Lorraine Hansberrys play Les Blancs; Dany Laferrières Comment faire lamour avec un Nègre sans se fatiguer; Genets dialogue with the Black Panthers; and different conceptions of the so-called N word.
Race and Sex across the French Atlantic thus explores how Les Nègres offered a groundbreaking reading of how race functioned-and continues to function-as an all-pervasive discourse that provides a central principle around which society in general is organized. The play stages a deeply self-reflexive and critical examination of the very essence of

Review

Incisive, provocative, and utterly persuasive, Race and Sex across the French Atlantic carefully traces a complex system of exchange that helped to define modern understandings of race and sex beyond the boundaries of nation. Linking such disparate figures and events as Jean Genet, the Négritude movement, the African American Civil Rights movement, and the 2005 uprisings in the Parisian suburbs, Ekotto argues that race and sex serve different epistemological functions across various temporal and spatial sites of the francophone African diaspora. This important new book brilliantly reframes our thinking about race, sex, postcoloniality, and black subjectivity in startling and unforgettable ways. — Lynne Huffer, Emory University

Frieda Ekotto in Race and Sex across the French Atlantic, provides an engaging and intertextual critical analysis of the work of Jean Genet highlighting the human themes, realities, inventions, and imaginations that permeate the transatlantic discourse, performance, and the affirmation and dismissal of color, and race. This interdisciplinary tour de force invites readers into the theatre, and also provides a provocative reflection on what color is black, issues that remain fundamental to our humanity even in the age of Obama. Ekotto offers a candid and refreshing philosophical analysis of color, race, and the art of writing and performing color and race. It is a must read for everyone interested in these questions. — Elias K. Bongmba, Rice University

This splendid essay is an intellectual event as Jean Genets work and interventions on so called black and race issues have never before been critically inscribed in discursive, political and ethical locations such as the French Atlantic and the North-American African diaspora movements of thought. From Genet, Frieda Ekotto has gained a significant lesson: that to be provocative is the true way of thinking and writing. Acute intelligence, innovation and singularity,